Artcores4me
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« on: August 27, 2008, 04:30:25 AM » |
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AM77 AS93 AF125NT
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toms_korber
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« Reply #1 on: August 28, 2008, 03:55:28 PM » |
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Well - I've already got one and I guess it would be enormously unfair of me to reduce the number of available ones to 139... 
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2004 AS193, 1978 MC200
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toms_korber
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« Reply #2 on: September 03, 2008, 02:05:23 PM » |
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Sold for the starting price of $695 (= 478 EUR) - that's what I call a bargain!  I considered bidding on it at the last moment, but earlier today I had a phonecall from my boss, in which he threatend to cut my pay if I don't succeed in cutting costs... 
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2004 AS193, 1978 MC200
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wildfield
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« Reply #3 on: September 03, 2008, 11:58:16 PM » |
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Not a bad price at all. Hopefully both buyer and seller are satisfied.
Toms - good luck with your boss...hope he lightens up a little.
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toms_korber
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« Reply #4 on: September 04, 2008, 01:57:51 AM » |
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I guess the buyer is very satisfied! I've contacted him via eBay. He replied: I discovered this guitar when I was searching for an AS200 and I fell in love with it instantly without even playing, by pure instinct. I am looking forward to receive it. And now I learned about the limited number...Wow, that is very cool . Maybe he'll join us here... wildfield - Thanks! Maybe it's time to look for a new job - I'm open to suggestions... 
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2004 AS193, 1978 MC200
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Artcores4me
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« Reply #5 on: September 04, 2008, 04:03:37 AM » |
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The buyer got a great deal on a great guitar!
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AM77 AS93 AF125NT
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toms_korber
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« Reply #6 on: September 04, 2008, 09:20:23 AM » |
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No one here could claim it "slipped under the radar"...  Seems I need to make even more propaganda for the United models on ICW... 
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2004 AS193, 1978 MC200
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gemberbier
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Next patient, please!
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« Reply #7 on: September 04, 2008, 11:01:01 AM » |
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Did you notice that the AS193 originally has NO pickguard? http://www.ibanez.co.jp/anniversary/expansion.php?cat_id=297&now=3They should have made a transparent one. Ginger
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Ginger (Ale) ----------- 1976 Andorra 2860; 1976 2355m; 1980 Studio ST50; 1983 Artist AM-50; 1987 Roadstar II Bass RB630WH; 1988 Andorra Recital GA300S; 1988 Artstar AC100CS; 1991 Artstar Bass AB50AV; 1992 RT240BS; 1997 Artstar AS120BS;
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toms_korber
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« Reply #8 on: September 04, 2008, 11:54:05 AM » |
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Guess what, I only realized it doesn't have one when I took mine out of the case at home - I hadn't noticed in the shop! Normally I think semis look somewhat "naked" without one, but not the AS193. It doesn't really need one - after all, you're not supposed to play Metal on it or do the Townsend Windmill... 
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2004 AS193, 1978 MC200
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daveh
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AS193
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« Reply #9 on: September 16, 2008, 11:36:27 AM » |
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Guess what, I only realized it doesn't have one when I took mine out of the case at home - I hadn't noticed in the shop! Normally I think semis look somewhat "naked" without one, but not the AS193. It doesn't really need one - after all, you're not supposed to play Metal on it or do the Townsend Windmill...  I don't do either of those, but mine still takes a bit of a hit where the PG would prevent it. I have to periodically polish the scratches out. Fortunately, the thick finish will allow for that, for a long time.  One of these days I'll get a JSM guard for it. 
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jazzrat
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« Reply #10 on: September 16, 2008, 12:11:28 PM » |
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I use a static cling pickguard on my AS103 and Hamer Artist. Does a great job, sticks without adhesive and is clear so the wood shows through. I work at a sign shop so we have it by the roll. Any vinyl sign shop should be able to cut a piece for not too many $$$
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toms_korber
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« Reply #11 on: September 16, 2008, 04:06:10 PM » |
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One of these days I'll get a JSM guard for it. You mean you intend to drill TWO holes in her?!? 
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2004 AS193, 1978 MC200
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gemberbier
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Next patient, please!
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« Reply #12 on: September 17, 2008, 03:37:21 AM » |
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Besides a JSM pickguard is just a 1 ply back, just like on the Korean AS120. Not even bound and/or tortoise. I replaced the one on my AS120 by a bound tortoise one, which I took of my first second hand The Paul. It didn't belong there and it was bigger than the Paula body, so there was a risk of breaking it. So I didn't order a bound tortoise one for EUR 150.- or something of that price range. But I did improve the look. It's as classy as an AS200 now (kept the original PG of course).
For the AS193 the same rules apply as for the old AM50: No drilling in a collectors piece!
I only meant to say that the manufacturer could and should have solved the problem of the choice between showing the flames and protecting the finish by a transparent pickguard, just like Samick did on the Aria Pro II TA-61 (which has no flames, just a sunburst finish).
Ginger
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Ginger (Ale) ----------- 1976 Andorra 2860; 1976 2355m; 1980 Studio ST50; 1983 Artist AM-50; 1987 Roadstar II Bass RB630WH; 1988 Andorra Recital GA300S; 1988 Artstar AC100CS; 1991 Artstar Bass AB50AV; 1992 RT240BS; 1997 Artstar AS120BS;
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daveh
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AS193
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« Reply #13 on: September 17, 2008, 07:46:11 AM » |
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For the AS193 the same rules apply as for the old AM50: No drilling in a collectors piece!
Forgive me not for temptation, ginger. Maybe I'll stick it on with some velcro. 
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toms_korber
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« Reply #14 on: September 17, 2008, 10:55:35 AM » |
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Dave - PHEW!  Ginger - Thx for saying the AS193 qualifies as a collector's piece. There are people who'll still disagree, though... 
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2004 AS193, 1978 MC200
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