Theoretically...yes you can tell.
Practically...No...here's why.
Modern equalization controls on an amp, can make a solid body sound like a fine archtop...and vice versa.
You only need to see Ted Nugent play his Gibson solid top carved Birdland to see what I am getting at.
I have owned a Gibson Birdland, Heritage Sweet 16, Guild Artist Award, and still own a Barrington George Gruhn design AT2...all have solid spruce tops...the first three are carved and the last one is pressed.
They all sounded alike once I played around with the equalization...Fat, Jazzy, and soulful.
And so did my Gibson ES175
Laminated top...the only difference is that the ones with the floating pups were a little more brittle sounding...but advancing the tone controls made the brittleness go away.
Having gone the solid top route, I don't care anymore whether it is laminated or solid.
Two great makers use laminates in their construction and get great tones...I don't remember their names offhand...but one made guitars for Emily Remler and the other has a company called...

? American Guitars or something like that.
Both are as highly regarded as Benedetto...